Introduction
In my job as a County Agricultural Agent, I found that I was
working many hours and weekends, and the pressure of the job was
really getting to me. For many years I was a plinker and I always
liked shooting. I wanted to become involved in competitive
shooting, so I really picked up the sport as a kind of therapy
through a stressful period. When I was out on the range
concentrating on my shooting, I put all of my worries out of my
mind, and I found that it was a wonderful source of inspiration
for the rest of the week. I was able to go back to work and
accomplish a whole lot more. Competitive shooting has added years
to my life because it has allowed me to relax, enjoy life more,
and allow me to get into something that I could set goals, reach
those goals, set more goals, and so on. This process of shooting,
and the fellowship that goes with it, I'm sure, has added years
to my life. If I had to put one thing above all facets of
shooting, it would be the fellowship with other shooters. I think
that by and far, shooters are some of the best folks in the
world.
Fundamentals:
I would like to discuss several fundamentals of precision, or
bullseye, shooting..
Stance
The first thing we need to consider is stance. I suggest that you
face the target and turn your non-shooting side away about 45
degrees to start to try to establish the stance that is best for
you. What we like to do is relax EVERYTHING in the body except
the shooting arm, elbow and wrist. We like to relax the
non-shooting hand, and do something with it, either hook it on
your belt, put it in your pocket or hook your thumb on your
pocket. Extend the gun and your arm above the target, close your
eyes, and let the gun settle into the normal aiming area. Once
settled, open your eyes and see where the gun is pointing. If
your sights are either right or left of the target, you need to
move your trailing foot around so that your natural point of aim
is on the target. This is important so that we are not using
muscles to move the gun (horizontally) onto the target. We should
be using muscles only to support the gun vertically. We need to
find a comfortable stance. We want to almost lock our knees, but
not quite. We want to relax our stomach and all other parts of
the body except our wrist, elbow and entire shooting arm; we want
to remain as RIGID as possible without putting those muscles in a
strain. If we strain, we will experience muscle fatigue, and our
performance will be compromised quite a bit.
The Grip
The way we recommend to get a grip is to hold the pistol in the
non-shooting hand, by the barrel or the slide, and take the
shooting hand and assume the grip. Most experienced pistol
shooters agree upon the amount of grip, or how hard, you should
hold a gun. However, not everyone agrees about the position of
the hand upon the gun. My personal preference is to put the
trigger finger farther through the trigger guard than you would
normally find in printed literature. Because my fingers are fat
and short, I do that so I will have more leverage with my trigger
finger. This is different from the traditional method of the
wrist and arm being straight in line with the barrel. Regardless,
we must grip as high as possible on the backstrap so that we will
have more control. Most of the good shooters I know do not hold
their thumb down toward their other fingers. They keep the thumb
relaxed and high and this is very important. Once you establish
your best grip, consistency becomes very important. We can really
change our point of aim because of our grip. Now in as far as how
much pressure to use, I like to imagine using the using the same
amount of pressure as holding a hammer or a very firm handshake.
Most of the pistol shooters I know use a fairly strong grip. One
way to determine how much pressure to grip the gun is to extend
the gun and take your grip as tight as you can get it until you
start to tremor -- then back off. This is probably the grip
pressure that is right for you. It is necessary that you maintain
pressure on the forestrap that is straight to the rear. It is
also important that we have constant pressure during the shot in
order that we are not milking the grip -- that is squeezing all
the fingers while pulling the trigger.
Sight Alignment
The human eye is not capable of focusing on two separate planes
at the same time. Therefore, with iron sights, we cannot clearly
see the sights and the target at the same time. What we have to
do is place our concentration and our focus on the front sight
and accept blurring the target. With the optical sights, we
eliminate having to line up two separate front and rear sights.
We are either using a dot or a cross-hair recticle, but we all
agree that it is still important to focus ON THE RETICLE and not
on the target.
Pistol Movement and
Trigger Control
One of the hardest things for a beginning shooter to accept is
the movement of the pistol while they are trying to fire the
shot. I cannot stress this too much as none of us can hold a gun
absolutely motionless. Good shooters sometimes have the sensation
of holding the gun perfectly motionless for some three seconds or
so, but no one can hold perfectly steady for the entire time
required to fire the shot. The principal of accepting this
movement, and applying trigger pressure straight to the rear
while at the same time keeping correct sight alignment, is the
key to pistol shooting. I cannot say it enough, accepting this
movement is very important. Your "arc of movement" is
the entire area that your sight alignment encompasses while you
are holding. Let's say your arc of movement is within the
nine-ring on the slow fire target at fifty yards. And note that
almost anyone can train themselves to do this. Remember then, if
you can hold the nine ring, and you can mash the trigger straight
to the rear causing it to break without any additional pistol
movement, your shots will go within your arc of movement, and you
will score a nine or better on each shot. If there is a secret to
pistol shooting ... that's it.
Training and
Practice:
Strength Builders
Since I first started shooting I have used a five pound weight to
develop the muscles in my arm that I use to hold the gun. I lift
the weight upward with an extended arm and like to imagine that
it is being suspended from my neck and shoulder area instead of
being pushed up from the bottom. That is the same mental picture
that I get when I am actually holding the pistol out there. A
series of repetitions will do wonders for your ability to hold
the gun. I strongly recommend using a weight to develop the
muscles used to hold a gun because in everyday life we do not use
these muscles. This is a big part of reducing your arc of
movement and learning to hold still.
Sight Picture Exercises
Here's a trick that my old buddy Bill Blankenship taught me years
ago. He would draw a vertical line on the wall and cross it with
a horizontal line. Holding up the pistol toward the lines, he
would study the movement of the pistol on each. He would
concentrate on vertical movement for a while, and then on
horizontal movement for a while. I have found that through deep
concentration and study of my movements, I have been able to
mentally picture my arc of movement, kind of like a circle, and
am getting it smaller and smaller. I recommend this technique for
your training program. Exercises like this will carry over and
help you during a match.
If I am experiencing movement as I hold the pistol, and it
doesn't matter if it is a little or lot, and the sights move off
the center off the target, I've found that if I GENTLY try to
bring it back in rather than a quick jerky movement, that is
gently try to FLOW with the movement instead of being tense and
making jerky correction, my wobble is able to settle down. And
even if it does not, I am still able to break a better shot this
way.
Trigger Control
There are two methods of trigger control. In both methods, when
you settle in your aiming area, or even before, you take up the
slack in your trigger. The first method I am going to describe is
the one we all recommend to beginners. Once slack is taken, you
actually begin the put pressure on the trigger. You can pull that
early pressure, taking part of the poundage off, and continue in
a gradual consistent pull until the shot actually breaks,
accepting your movement all the time. The second method I will
describe is pulling on the trigger only while the sights are
aligned in an almost perfect picture. As they move off center,
HOLD the pressure that you have. When the sights move back on
center, with a movement you can accept, then you CONTINUE the
pressure. This is "staging" the trigger. Press when it
is on, hold when it is off. When everything is going well, I can
shoot better scores when using this second method. On other days
when I am not as coordinated, I have to use the first, or the
straight-through pull.
Dry-Firing
We can practice all the above elements, but we still need to put
them together in a dry-firing exercise. We do that by practicing
all the elements we are going to be doing in firing a shot. We
will put a target on the wall in corresponding size to that of
one at 25 or 50 yds. and practice our breathing, our grip, our
stance, and practice breaking the shot. All the time, we are
trying to minimize our arc, analyzing the movement of the gun,
studying the direction of the sights, and trying to break that
shot. This is a good time to learn to break that shot with
steady, constant pressure. I recommend dry-firing highly.
Shooting Practice
Sessions
During practice sessions at the range, I usually shoot an entire
(2700 or reduced) course. Afterward, I will practice things again
that bothered me a little bit more than others. For example,
after shooting the whole course, if I messed up a few strings of
rapid fire, I would shoot a little more rapid fire at the end. I
don't recommend practice shooting at the range just to expend the
rounds. If an individual is actually learning something then a
lot of range practice could be justified. In converse, dry firing
is never a waste, I don't care how experienced you are. My old
buddy John Farley declares that he shoots better with a minimum
amount of practice. With me, it is exactly the opposite. I need
much more practice than he does, and I try to learn something
from every shot that I fire. Just to say that you fired 1000
rounds this week might be worthless. However, if you are learning
from each shot you fire, it might be hard to ever say that you
are practicing too much!
Match Experience
For me, there is no substitute for match experience. There is
nothing like going to matches, seeing good scores starting to
build, dealing with the mental aspects of a good score, and also
dealing with the mental aspects of that buddy you want to beat.
Taking all of this into account is no substitute for the
experience of shooting real matches. After you get over that
initial "stage fright," you will concentrate more on
trigger control, etc. when it is in "real" competition.
For me, concentrating on my "routine" keeps me from
thinking about anything else. Thinking about the fundamentals of
grip, stance, trigger control etc. pushes any negative thoughts
out of my mind. If I can maintain this kind of positive thinking,
then I am able to overcome match nerves.